Analysis Of The Novel Felmans - 2199 Words

Felman’s analysis, while devastatingly lucid, is simply too strong. To close a text to any further analysis and interpretation would be an unacceptable step too far. Nevertheless, her critique of psychoanalytic and moralistic analyses remains useful. A text as shot through with ambiguity as Turn of the Screw resists any sort of prescriptive analysis of the Governess’s psyche, regardless of how tempting such an analysis may be. The acceptance of this fact leaves the intrepid critic locked outside of the very narrative voice that related, in such intimate first-person detail, the story of The Turn of the Screw. The critic is left to analyze what is external to the governess. Power Structures and Ideology: Master and Governess In the strictest sense, the Governess—the principal character in Turn of the Screw—comes into being when the young woman accepts her position of employment at Bly Mansion. The â€Å"youngest of several daughters of a poor country parson† (4) agrees to take care of Miles and Flora, the orphaned â€Å"nephew†¦and niece† (4) of a â€Å"gentleman† referred to only as â€Å"the master† by his subordinates. As a requirement of her acceptance, the young woman acquiesces to a â€Å"prohibitive† (6) condition set forth by the Master: That she should never trouble [the Master]—but never, never: neither appeal nor complain nor write about anything; only meet all questions herself, receive all moneys from his solicitor, take the whole thing over and let him alone. She promised to do this,Show MoreRelatedEssay Finding Meaning in The Turn of The Screw, by Henry James2788 Words   |  12 Pagesis present in the text whether a reader notices it or not. For formalists, a texts essential effect lies in the text alone and is completely independent of a readers response to elements that create effect in him. Likewise, Lustigs precise analysis of form and subsequent deconstructionist reading of The Turn of the Screw does not mention what a possible readers process might be when faced with the twists of Bly. But for whom is the effect valuable, if not the reader?    As Iser explains

Samsung (Economics) - 966 Words

Introduction Samsung has been in the business for over 70 years, it is a company which is considered to diversify its business ranging from mobile phones to washing machines, TV’s to microwave, all kinds of home appliances to the most modern worldly technology needs of human kind. Samsung is a $160 billion company. Through research, reliability and a talented workforce, Samsung is able to provide technological solutions for our everyday lives. Samsung is known for its TVs however they have penetrated into the mobile phone market. They have come up with creative technology such as the Smart TV and Smart Camera. They continue to invest heavily into their research and development so that they can produce products that are efficient and†¦show more content†¦Will Samsung LCD TV remain in monopolistic competition? With time, the LCD TV market will either become a perfectly competitive market or there will be a shift in power from Samsung to its rivals like LG, Sony and Sharp. As there are few barriers to entry, existing competitors might gear up their products or new competitors might enter the market and supply a product which is better than that of Samsung. However Samsung invests a lot in its research and development and continues to maintain its market share. Smartphones as an oligopoly What is an oligopoly? An oligopoly market consists of a few sellers and has many entry barriers for prospective competitors. Competitors in an oligopoly have a significant influence over the market meaning they determine the price in a way to exploit profits. Competitors are dependent on each other meaning all of them would have almost the same pricing. If one raises or lowers their prices, other competitors do the same. How are Smartphones an oligopoly? There are few competitors in the market namely Samsung, HTC, Apple, Blackberry, Nokia, and Sony. Samsung prices its cell phones almost like most of the competitors in the market. If HTC releases a $300 phone then Samsung also launches a phone at the same price with almost similar specifications. Will Smartphones remain an oligopoly in the future? There is a chance that it might turn into a perfect competition as newShow MoreRelatedSamsung Electronics And Its Impact On Economic Development, Politics And Culture1326 Words   |  6 PagesABSTRAT Nowadays Samsung Electronics is a South Korean multinational company that produces a wide range of electronical equipment. In South Korea, the company has a paramount influence on economic development, politics and culture. However, Samsung also has a huge power in the worldwide terms. The revenue that the company earns every year is impressive. At the same time, the whole world may take advantages of Samsung’s products using them. Today Samsung Electronics is globally recognizes as a producerRead Moresamsung economics3057 Words   |  13 Pagesfaced by Samsung. 1.3 Objectives of an Organisation. 1.4 Limitations of an Organisation. 12 13 14 15 2 PROFILE 2.1 Company profile. 2.2 History of the product. 2.3 Organisational chart. 17 18 19 3 RESEARCH METHODOLOGY 3.1 Input and Output Market for samsung. 3.2 Demand for mobile phones in output market. 3.3 Shifting of demand curve for Samsung company. 3.4 Supply of mobile phones in output markets. 3.5 Shifting of supply curve of Samsung company. Read MoreOrganizational And Social Responsibility Of Samsung1143 Words   |  5 PagesEnvironment. Using Samsung as a case study and to apply our understanding to analyse and discuss the company’s approach to environmental and social responsibility. SAMSUNG/BACKGROUND Samsung started its first operation in 1983, as a small export business, selling dried fish, vegetables and noodles, and today Samsung has grown into some parts, Samsung Electronics, Ltd., is a part of Samsung Group, that has the world’s leading and biggest technology company by revenues. The Samsung produces consumerRead MoreTop World s Best Brands 20111685 Words   |  7 Pagespublished by Interbrand, Samsung ranked 17th with brand value of 23.43 billion US dollars, an increase of 2 levels and increased 20% in value 2010. Samsung has also been recognized as the brand has been developing leading technology with the patent number of the second most in the US. The strength of the brand and the technology that allows Samsung leapfrog, creating new technology trends. The quick turn ideas into products and marketed is also a factor that helped Samsung fresh in the eyes of consumersRead MoreBig Companies And Samsung Electronics Company998 Words   |  4 PagesThe world economic s ituation has been approaching the low economic growth since the Lehman Brothers Holdings inc. collapsed in 2008. Currently the competition is on top which leads towards to legal and institutional restrictions are easing or disappearing and barriers are crumbling. If companies want to compete globally, companies need to work hard, implement the innovative strategies and carry out open management that removes all restrictive and discriminatory institutions and practices. The allRead MoreSamsung Product Promotion Strategy1163 Words   |  5 Pagespurchasing decisions. Samsung requirements of their own to create a world-class brand which attaches great importance to the quality of the product, which is mainly reflected in the following four areas: 1.High-quality products to establish a brand image, enhance brand value Need high-quality first-class brand quality assurance, Samsungs leaders have long recognized that it put forward the idea of new operators in 1992, long Lee Kun-hee of Samsung Group firefly things Samsung started depending onRead MoreSamsung Electronics Company Strategic Management System Essay1394 Words   |  6 Pagescompetitive resources. So far Samsung has used these resources very effectively. That is why management scholars have been looking at Samsung Electronics Company as a successful case of the leading global company. Chairman Lee declared the launch of New Management in Frankfurt in 1993. Since then Samsung has transformed itself from a mediocre manufacture based on low cost advantage to a world class performer with a strong brand value and premium products. Samsung declared Open HR to prepare forRead MoreSamsung: from Gallop to Run1281 Words   |  6 PagesI. Situation Analysis A. Company Philosophy Samsung Electronics has to be the cutting-edge product leader in consumer electronics producing new sleek, bold, and beautiful products which they called as â€Å"lifestyle works of art† intended for the high-end users. Each product has to pass the â€Å"WOW† test. If it did not get the â€Å"WOW† reaction during market testing, it is scrapped or sent back to the design studio. B. Current Strategy The company is focused on the development and production ofRead MoreSamsung Strategic Management6168 Words   |  25 Pages1. Introduction 1.1. Background The Samsung Group was founded by Byung-Chull Lee in 1938, in Taegu, Korea, as an exporter of dried fish, vegetables and fruits. Byung later established flour mills under the name Samsung, which means three stars in Korean language. He also produced confectionery machines in this period. In 1951, Samsung Moolsan, a holding company, was established which later The building of Samsung Sanghoe in Daegu in 1930s became Samsung Corp. in 1953, Cheil Sugar Manufacturing CoRead MoreSamsung Brand Audit3065 Words   |  13 Pages[pic]MOBILE Samsung cares about people. Samsung makes life easier. Samsung creates cool technologies. Samsung.com History Samsung has a very long history dating back to the 1940s. . Firstly, Samsung Store was founded by Lee Byung Chull in 1938 as a small company. This is the beginning point of a worldwide known brand, Samsung. Korean War is the turning point for this small company. After the war, Samsung Company was

Prime Minister Margaret Thatcher Free Essays

string(130) " was raised to the peerage, taking her seat in the House of Lords as Baroness Thatcher of Kesteven in the County of Lincolnshire\." Margaret Thatcher Rt. Hon. Baroness Thatcher of Kesteven L. We will write a custom essay sample on Prime Minister Margaret Thatcher or any similar topic only for you Order Now G. , O. M. , F. R. S. Official booklet to mark the unveiling on 21st February 2007 of the bronze statue of Baroness Thatcher sculpted by Antony Dufort for the House of Commons. Edited by Malcolm Hay, Curator of Works of Art, Palace of Westminster. Clay for the portrait head of Margaret Thatcher, June 2005 (Photo: Antony Dufort) â€Å"This historic commission is a very fitting way to remember Margaret Thatcher’s time in the House of Commons and I am very pleased to welcome the statue joining those of the other Prime Ministers of the 20th Century in Members’ Lobby. Rt. Hon. Michael Martin MP Speaker of the House of Commons Baroness Thatcher is the latest 20th Century Prime Minister to be represented in Members’ Lobby immediately outside the House of Commons Debating Chamber. This over life-size bronze statue by Antony Dufort recognises her contribution to British politics during her three terms of office as premier and records her rightful place in parliamentary history as the United Kingdom’s first woman Prime Minister. Her statue looks towards the doors of the Commons Chamber, facing that of Sir Winston Churchill by Oscar Nemon, which since the late 1960s has stood sentinel to this historic Chamber, its foot touched in the early years for good luck by Tory Members before giving speeches in the Chamber and more recently by all those visiting the House. Since then, statues of David Lloyd George and Clement Attlee have been added to this historic space, together with busts of James Ramsay MacDonald, Harold Wilson, James Callaghan, Edward Heath, Anthony Eden, Harold Macmillan, Stanley Baldwin and Alec Douglas-Home. Above and right Antony Dufort and Baroness Thatcher at the sitting on 28 May 2004 (Photos: Matthew Tugwell) The Parliamentary Art Collection of the House of Commons includes many painted and sculpted images of parliamentarians over the centuries, widely dispersed throughout the buildings of the Parliamentary Estate. Portraits of Prime Ministers line the Committee Corridor of the Victorian building, with more recent figures joining the House’s contemporary collection which is on display in Portcullis House. Members’ Lobby was chosen to display sculptures of Prime Ministers of the 20th Century, because of its pre-eminence as the portal to the Debating Chamber, the centre of political life. Both interiors were rebuilt during the late 1940s by the architect Sir Giles Gilbert Scott after the original Victorian Chamber and Lobby of the 1850s were destroyed by enemy action during the Second World War. Commissioning the Statue The bronze statue was commissioned from the sculptor Antony Dufort in 2003 by the Speaker’s Advisory Committee on Works of Art, under the then chairmanship of Tony Banks MP It was . greed that Margaret Thatcher would be represented during her last term of office, 1987 – 1990, with the sculptor working from historic material as well as being given sittings from life. The current Chairman, and former Deputy Chairman, Hugo Swire MP and Members , of the Committee have overseen this project since 2005. â€Å"This is a very significant commission for the House of Commons. It is entirely appropriate that Margaret Thatcher’s premiership has been recorded in this way for future visitors to the House. I think the way in which Antony Dufort has succeeded in showing her mid-debate will strike a chord with all those – from all sides of the political divide who remember her oratory. I share Tony Banks’s view that history demanded this commission. I am only sad that he did not live to see the finished statue. † Hugo Swire MP Above Antony Dufort and Tony Banks MP after the committee meeting in Portcullis House where the preliminary design for the statue was selected The sculptor enlarges the full size clay of Baroness Thatcher from the half-size maquette, using a 3D ‘Pantograph’ (Photo: Antony Dufort) Upper torso of the completed full-size clay figure, 30 September 2006 (Photo: Antony Dufort) The Works of Art Committee is responsible for all aspects of the Parliamentary Art Collection, and follows an active policy of commissioning portraits in order to keep the Collection up to date. Efforts are also made to fill gaps in the historical collection where notable parliamentarians from the past are not represented. The management of the Collection is undertaken by a dedicated team of professional curators, led by Malcolm Hay, who support the Committee in their work. The Parliamentary Art Collection already includes a number of images of Margaret Thatcher. During the 1990s a marble statue was commissioned by the Committee from the sculptor Neil Simmons, but regrettably this was damaged shortly after completion, when the head was vandalised. It was successfully repaired and is on public view at the Guildhall Art Gallery in London. Other representations of Margaret Thatcher within the Collection include portraits by Henry Mee and Ruskin Spear, one of the Spitting Image latex puppets by Fluck and Law, and a photograph by Jane Bown. Above Margaret Thatcher’s last speech in the House, 22 November 1990 (Parliamentary Copyright) Photograph of Margaret Thatcher by Jane Bown (Copyright: Jane Bown) Margaret Thatcher’s years as Prime Minister Margaret Thatcher served three continuous terms as Prime Minister, between 1979 and 1990. She is the Country’s longest-serving premier since Lord Salisbury. Her radical economic policies and robust approach to politics were branded ‘Thatcherism’ and became widely influential both at home and abroad. She placed great importance on fostering Britain’s historic links with the English-speaking peoples of the World, and nurtured the ‘special relationship’ with the United States. At a time when there was general acceptance that Britain’s power was diminishing following the end of Empire, she worked hard to raise the profile of the United Kingdom on the World stage. Her success in defending the Falkland Islands against Argentinian aggression in 1982 won In 1992 she was raised to the peerage, taking her seat in the House of Lords as Baroness Thatcher of Kesteven in the County of Lincolnshire. You read "Prime Minister Margaret Thatcher" in category "Papers" In 1995 she was raised to the Order of the Garter. her great praise. She is credited with bringing about the Country’s economic recovery and with breaking many of the restrictive working practices of the past. The Country underwent significant change during her premiership. However, strong views and robust politics brought out a mixture of both positive and negative reactions in people, and in 1990, despite an unbroken line of three election successes, divisions within her own party mirrored the rising discontent within the Country. She resigned in 1990 after a leadership election. Antony Dufort – the designing and making of the statue â€Å"Creating the statue was an enormous but fascinating challenge. I already had considerable experience of making large freestanding sculptures to go outside, such as my ‘Fast bowler’ for the MCC at Lord’s Ground, and the Tribute sculpture ‘Testing for Gas’ for the Coal Miners and Collieries of the Nottinghamshire Coalfields at Silverhill near Mansfield. But the context of the House of Commons statue was particularly complex. Not only would it have to complement the scale and style of the Above Mould maker Liz Turner peels back the silicon rubber inner layer of the mould. This ‘intermediate’ mould is used to make a wax replica of the sculpture, as part of the ‘lost wax’ casting process (Photo: Antony Dufort) three existing bronze statues of Prime Ministers in the Lobby, but also stand up to the scrutiny of Members as they passed it each working day. Moreover here was a sitter whose appearance the whole world felt they knew, though most had never met her. Finally, this was the first statue of a female Prime Minister, and there was no precedent to follow. However for me, Oscar Nemon’s splendid sculpture of Winston Churchill set a standard to emulate. † During Late May and early June 2004, the sculptor was given three sittings with Baroness Thatcher. These took place in the River Room of the Lord Chancellor’s Residence in the House of Lords. â€Å"Baroness Thatcher chatted to her assistant Gillian Penrose while I sculpted her. This let me see her face in animation– vital for giving the sculpture a feeling of life. Her conversation was an intriguing mixture of reminiscence, observation, authority, seriousness and humour, which gave me a powerful impression of the many sides of her character. † â€Å"In the breaks from modelling we discussed my preliminary designs and a range of photographs showing her speaking, including stills from her famous last speech to the Commons on 22 November 1990. She preferred those with â€Å"intensity†, which showed her â€Å"concentrating on getting the message across†. When I pointed out the hint of humour in the corner of her mouth, Above At the foundry wax worker Dorota Rapacz removes the silicon rubber mould from the wax cast of the head and shoulders (Photo: Antony Dufort) The separate sections of the hollow wax replica are assembled at the foundry to ensure a good fit. Dorota Rapacz prepares to ‘weld’ the seams, 23 October 2006 (Photo: Antony Dufort) she explained the necessity of not just dominating the audience but â€Å"getting the message across by introducing humour†¦so the audience can relax. † â€Å"As fundamental for the success of the sculpture as the accurate portrayal of her face would be the expression of her character through movement and gesture. We agreed that it was important not to replicate the gestures of any of the existing statues. She explained how she unobtrusively shifted her weight from one leg to another during a long speech to avoid fatigue and would turn towards her â€Å"own people†, the Opposition or Mr. Speaker in turn†. â€Å"She demonstrated this and a range of arm movements, and linked movements of the head and upper body as if she were giving just such a speech. She liked the idea of the sculpture â€Å"†¦just having papers in one hand, I think we will ruin things by having too much in. † The diamond brooch on her Above The wax sections are covered with layers of ceramic shell. This shell forms the mould when the wax is melted out and the narrow void filled with molten bronze (Photo: Antony Dufort) lapel was a special favourite. So was the bracelet of gold and semi-precious stones, given to her by her husband Denis, so that was included as well. † â€Å"Baroness Thatcher’s professionalism in sitting, friendliness, and willingness to be consulted and to analyse her appearance and ‘body language’ objectively was enormously helpful to me in developing the design and composition of the statue. † From material and information gathered during these sittings, the sculptor developed the portrait likeness and the animated composition of the statue. This shows Baroness Thatcher leaning slightly forwards. She supports herself mostly on her right leg, with her left leg lightly flexed. This in turn raises the left heel slightly from the ground. She is ‘making a point’ with her raised right hand and holds notes in her left. Her head is inclined gently to the right. Above Molten bronze at 1200 degrees centigrade is poured into the mould of the top section (head and shoulders) of the sculpture, 10 December 2006 (Photo: Antony Dufort) Committee Members Peter Ainsworth MP, Frank Doran MP, Hugo Swire MP (Chairman) and Anne Main MP visit Bronze Age Foundry in December 2006 to view the bronze cast of the head and shoulders emerging from the mould (Photo: Terry Moore) A choice from a series of three small preliminary maquettes presented by the sculptor, was made as the ‘design option’ for the half-size ‘working maquette’ by the Works of Art Committee in April 2005. This in turn was unanimously approved in early 2006, and work on enlarging to a scale of one and a quarter above life size began in the sculptor’s former Baptist Chapel Studio in Gloucestershire in February 2006. After eight months of continuous work, enlarging and then refining the detail and surface of the 7ft ft 4† clay model, moulds were made and taken to Bronze Age Foundry in London. Over the next three and a half months, under the sculptor’s constant supervision, the sculpture was cast, welded, fettled and patinated. After completion on the 9th February 2007, it was transported to the House of Commons and erected on the vacant stone plinth in Members’ Lobby, in readiness for the unveiling ceremony on the 21st February 2007. Antony Dufort with the wrapped statue as it passes the marble statue of Gladstone in Central Lobby (Photo: Matthew Tugwell) The statue is lifted onto the empty plinth in Members’ Lobby by Keith Baker, James Elliot and associates on 10th February 2007 (Photo: Matthew Tugwell)  © Parliamentary Copyright 2007 Designed and Printed by Print Services, Vote Office, House of Commons Back Cover Baroness Thatcher and Antony Dufort in Members’ Lobby after the installation of the statue on 10th February 2007 (Photo: Matthew Tugwell) How to cite Prime Minister Margaret Thatcher, Papers